Arts, Music, Women in Music, Performance, Leadership Stephanie Nicholls Arts, Music, Women in Music, Performance, Leadership Stephanie Nicholls

Sisters in Sync: 3-2-1 with Jessica Gethin

3 Questions - 2 Insights - 1 unique photo with remarkable women musicians

Jessica Gethin, Principal Conductor of the West Australian Ballet, is renowned for her dynamic conducting across global stages. In March Jessica Gethin conducts the Melbourne Symphony Orchestra in "Hopelessly Devoted: A Celebration of Olivia Newton-John". This concert honours International Women's Day 2024 and supports the Olivia Newton-John Cancer Wellness Centre.

What's one piece of advice from a woman in music that has stuck with you? 

Nicole Paiement is a wonderful conductor I was mentored by in Dallas and San Francisco. I'll never forget her saying that to truly be able to understand, interpret and express the music at a deep level, we must become the most fully rounded version of ourselves; read ravenously, study literature, breathe in architecture, talk to people from all walks of life etc.  Also, Simone Young said it was never really a 'good' time to have children in a conducting career, just do it... so I did!

Can you name a ground-breaking female artist or composer who you think deserves more recognition?

I’ve been listening to the orchestral works of Florence Price recently. Hers is a remarkable story to overcome double prejudice to be the first African-American and female composer recognised in the early 1900's. I think she gets programmed a bit in the US but I haven't heard much of her work performed live in Australia. 

Can you share an experience where collaborating with other women significantly influenced your work?

In 2022 I experienced the most incredible collaboration as conductor for Opera Queensland's world premiere season of 'The Sopranos'. It examined the way women are represented within opera, and the opportunities women are given to shape how these stories are told. The production was written by a woman, containing works by Australian women composers and almost wholly led by women from myself to Australia's top sopranos. The authentic level of support and elevation of each other's work was completely refreshing and encouraging throughout the whole journey, and made a huge impact on my work process moving forward. 

What's a valuable lesson you've learned throughout your career?

Focus on what you can do; it's OK to not always have the perfect answer, or always be the very best or always the most successful; that doesn't mean you don't have something worthy and valuable to offer. Instead, work hard, show integrity, be prepared and stay true to your cause. 

What strategies have you found effective to overcome creative blocks or periods of self-doubt?

I think building a good support network plus realising 'I am not my job'; separating what you do from who you are, is a big help in this area. I actually schedule in self care now (and no longer feel guilty for it!). It's a must when navigating my hectic schedule but also the huge amount of pressure placed on you each time you step onto a podium. 

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